Afin de vous mettre dans l’ambiance de L.A. Noire, Rockstar vous recommande quelques polars qui ont marqué à leur façon le cinéma, la littérature ou l’Histoire.
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Ainsi à une semaine du lancement du jeu, l’éditeur vous propose de vous plonger dans 6 films des années 40/50 afin d’avoir une première approche de ce que pourrait être L.A. Noire. et qui ont contribué à vous mettre dans l’ambiance ces derniers mois avec la diffusion des vidéos. « Le film noir est une des marques de fabrique de l’Amérique et nous sommes fiers d’y contribuer avec L.A. Noire« .
Vous pourrez ainsi retrouver dans le jeu 50 bobines éparpillées dans la ville ayant pour noms des films ayant inspirés le jeu. Aidez Phelps à Trouver toutes ces pellicules et vous débloquerez le succès/trophée « Hollywoodland« .
Rendez-vous la semaine prochaine avec une nouvelle sélection de films.
- Le grand sommeil (1946, Réal. Howard Hawks)
- Boulevard du Crépuscule (1950, Réal. Billy Wilder)
- La Dame de Shanghai (1948, Réal. Orson Welles)
- Le Troisième Homme (1949, Réal. Carol Reed)
- L’ultime Razzia (1956, Réal. Stanley Kubrick)
- Assurance sur la mort (1944, Réal. Billy Wilder)
Pour plus d’information sur ces films, n’hésitez pas à visiter le site du jeu et pourquoi pas Allocine.
The Big Sleep (1946, Dir. Howard Hawks)
Adapted from Raymond Chandler’s bestseller of the time, this is Bogey and Bacall at their finest. If you’ve ever wondered what the allure of these two was all about, this is the one to watch. Set in Los Angeles with Bogart assuming the role of Chandler’s private dick, Philip Marlowe, the story is as winding and dizzying as Noir storytelling can get, but you’ll enjoy it all the way.
Sunset Boulevard (1950, Dir. Billy Wilder)
In the heart of Hollywood, an aged and quite disturbed ex-silent-film starlet (Gloria Swanson) forges a strange relationship with a young, opportunistic screenwriter (William Holden). This piece of Grand Dame Guignol is also the film that birthed the ‘hag horror’ genre that peaked in the 60’s with movies like “Whatever Happened to Baby Jane” and “Hush, Hush, Sweet Charlotte.”
The Lady from Shanghai (1948, Dir. Orson Welles)
A landmark Noir starring legendary, international sex symbol Rita Hayworth alongside her husband at the time Orson Welles, who also directed the picture. A tale of intrigue, suspicion and betrayal that travels from New York City to an unexpected climax in San Francisco.
The Third Man (1949, Dir. Carol Reed)
This one takes the genre to post-War Vienna where an American pulp writer (Joseph Cotten) seeks out answers as to the mysterious death of an old friend who had been living there. Truly some of the most incredible Film Noir cinematography you will find – and regarded as one of the great masterpieces of cinema. Love that score too.
The Killing (1956, Dir. Stanley Kubrick)
An early Kubrick film that served as the template for future non-linear crime story moviemaking like “Pulp Fiction” – “The Killing” is an amazing movie, definitely ahead of its time. Telling the story of a band of criminals working to pull off a heist at a race track, it brings you individual perspectives from various members – including ringleader Sterling Hayden (“Crime Wave”), crooked cop Ted de Corsia (“The Naked City”) and cuckolded window teller Elisha Cook Jr (“The Maltese Falcon”).
Double Indemnity (1944, Dir. Billy Wilder)
For those of us who may have grown up more familiar with Fred McMurray as the congenial dad from ‘My Three Sons’, watching this one provides quite a shock. One of the cornerstones in the Film Noir genre, it’s got it all – scheming femme fatale temptresses, a man taken down a downward spiral of his own weakness, a clever investigator working on a hunch (Edward G. Robinson in one of his most celebrated roles) – remade in the 80’s as the sexed up “Body Heat” with Kathleen Turner and Jeff Bridges.
